The word ‘superb’ is not one I bandy about lightly, but it seems eminently appropriate for “The Book Thief” by Marcus Zusak. Not only is it inventive in the use of Death as a narrator, which adds a peculiar perspective to the story and confers so much more than a simple device, but the plot and characters are truly compelling. Just when I might have thought the rich seam of World War II had been overworked, comes this beautifully crafted book, which teases at loose threads of this global human tragedy and gradually unpicks the experience of a unique individual, her foster parents and the street and town in which they lived. That the street and characters are German and shaped by the familiar trajectory of the conflict is intriguing. That human frailties and blessed courage know no national boundaries, yet flourish at the individual level, is fascinating.
The gloriously flawed heroine, Liesel, is a child, but nonetheless challenges stereotypes and her arbitrary circumstances, not saintly, but indomitable, funny yet deep. Meanwhile, the disparate array of relationships between Liesel and her parents, neighbours, asylum-seeker and benefactor sow the seeds of sadness, frustration, admiration and despair in equal measure. The impact of man’s folly is clearly shown in war and is perhaps felt most keenly by the poor and yet the author also casts a hopeful light on the resilience of the human spirit and without sentimentality the possibility of greater things. A wonderfully poignant read to ponder.
SOURCE: HTTP://WWW.GOODREADS.COM/BOOK/SHOW/893136.THE_BOOK_THIEF
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