Book 3 of the ‘Penguin 60s’ collection moves on from classic fairytales to classical Roman literature. Marcus Aurelius was Emperor of Rome from AD161 to his death in 180 and is often referred to as the last of the ‘Five Good Emperors’. However, what is remarkable about this fascinating and significant tome is not simply that it continues to be read nearly a thousand years after it was written, but that it continues to resonate with scholars and contemporary world leaders alike.
This slim abstract from the original twelve volumes gives the reader an extraordinary glimpse into the mind of a leader of one of the world’s largest and most influential empires. The ‘Meditations’ as they became known, record the reflections of an emperor and the Stoic philosophy that underpinned his view of that world and man’s place within it. It is not an essay, but in the main a collection of sayings, which today might be seen as the equivalent of snappy ‘sound bites’. That they remain worthy of study and continue to be often quoted is surely testament to their literary value. Marcus Aurelius was capable of maintaining a brutal regime, consistent with the period, but history has certainly looked positively on this particular aspect of his legacy.
“So here is a rule to remember in future, when anything tempts you to feel bitter: not, ‘This is a misfortune’, but ‘To bear this worthily is good fortune’.”
“Nothing can happen to any man that nature has not fitted him to endure.”
This exceptional novel explores the complex relationship between Hanna and Michael against a backdrop of post war Germany and the differing impact of guilt for their respective generations. The tale of the central relationship is sensitively told and the difficult context is examined through their respective experiences. The temptation for scapegoating, to absolve the ‘guilt’ of the many on the shoulders of a few, also resonates with more contemporary social upheavals. The issue of literacy simply accentuates the disadvantage faced by those outsiders to the mainstream culture. A thoroughly absorbing read.
A chronicle of Porterhouse College, Cambridge, the acidly-Sharpe humour served up by the author is as sumptuous as a fellows feast. Dripping with hysterical characters, the book plots the chaotic attempts to spare the ancient institution from financial ruin, led by a coterie of dysfunctional men marooned in a glorious past, which is slowly and painfully being eroded. The Master (Skullion), formerly the Head Porter, the Dean, Senior Tutor, Bursar and Praelector conspire and scheme and cross metaphorical swords with a media magnate and gangster for the greater good of Porterhouse. The Machiavellian plot twists unstintingly with laugh-out-loud moments sprinkled throughout. Tom Sharpe is rightly regarded as a great post-Waugh humorist and guardian of the national funny bone. Very highly recommended.