The “Darling” Days

2:01 PM 7 APRIL 2019

This proved a curious novella, from a writer unfamiliar to me, with echoes of those black and white Ealing Studio movies, where the British cast spoke in plummy tones and the criminal classes were still referred to as ‘rascals’ and ‘scoundrels’. Less surprising when the reader realises that Henry Cecil is the pseudonym of Judge Henry Cecil Leon (born 1902), yet the humour coursing through this charming tale does make it satisfying, albeit in a rather nostalgic way.


Cambridge-educated, Cecil was called to the bar in 1923 and post-World War II was appointed a County Court Judge in 1949. Still, it is unusual that such a pillar of the establishment should expose some of the potential absurdities of the law and how it might play out within the vagaries of ordinary lives.


In this example, the reader is introduced to Mrs Harriet Hunt, who was successfully married to her husband (Graham) for twenty years, when without warning, he disappeared. That was seven years ago. Having experienced the predictable gamut of emotions, Harriet might have reasonably assumed Graham was dead, when he did not return home or make contact. However, the arrival of a mysterious cheque for £100 every month since, from a firm of solicitors, lent probability to her husband’s survival and increased the likelihood that he had in fact run off with another woman. Harriet continued to be perplexed by such a scenario, when she felt certain they had been happily married, but she was also hurt by the possibility that Graham might have ‘pensioned her off’ in this way. Still, in the light of the prevailing evidence she reluctantly accepts the need to settle the future and having been pursued assiduously by the couple’s former friend, the gentle George, seeks to petition the court for a divorce.


Stage set and having sealed the legal argument with an agreement to go to bed with George later that evening to consummate their relationship (to be followed by supper), Harriet returns home to find Graham has also returned, just as suddenly as he departed.


In his mild and comical approach to this story, Cecil almost imperceptibly weighs complex issues, such as the disparity between the moral and legal status of marriage, the expectations of men, women and society and the meaning of ‘love’. For the contemporary reader it might appear dated and yet I suspect, if one cares to settle down with a ‘whisky and a splash’, this is a funny, short, but welcome glimpse of a mythically  halcyon era.

Rating: 3 out of 5.

Morse Gets Down and Dirty….

1:09 PM 17 APRIL 2017

Book 3 of the Dexter ‘set’ and a brooding Chief Inspector Morse grapples with the murder of a newly appointed member of the Oxford Examination Syndicate. Nicholas Quinn was deaf and though talented, not the unanimous choice of the other ‘syndics’, to join their studious ranks. Still, Morse needs to tease apart the complex social connections and doggedly unpick the dense layers of motivation and alibi to unmask the culprit.

My only criticisms would be the author’s penchant for conferring tawdry weakness indiscriminately (all of the key suspects appear to have an appetite for pornography). Dexter commonly challenges the superficial gloss of academia and Oxford, often juxtaposing it with contrastingly brutal and uncivilized aspects of ‘real’ life. However, the tarring of so many characters with the same feeble brush seemed strikingly implausible. So too, the final gathering of the academics to hear Morse’s conclusion. It felt rather reminiscent of Agatha Christie’s drawing room finales, but simply not as convincing.

I was coming round to the notion that fictional detectives are necessarily a reflection of their environment. But, in that case, Morse might be expected to evince rather more style and class. Certainly, in this book, the depth of the Chief Inspector’s intellect is rather betrayed by the shallow nature of his character. Even the long-suffering, up-holder of standards, DS Lewis, seemed to be detrimentally affected, as he went about his gofer duties. Perhaps, Morse will rediscover his love of opera and Wagner, conspicuously absent in this episode and be once more elevated to higher things. One can but hope!

Rating: 3 out of 5.

Tribute to the late Colin Dexter

12:02 AM 26 MARCH 2017

I read this first Inspector Morse mystery in honour of the author who passed away this week. In fact, I have the set of thirteen Morse novels and I really must be getting on with them. I deliberately read this first one fairly intensively, if only to keep the complex storyline fixed in my head, but the central characters – Chief Inspector Morse and Detective Sergeant Lewis – popularized in the ITV adaption, come together for the first time here and offer the prospect of a burgeoning relationship. Of course, once exposed to the TV characters, as one reads it’s hard not to conjure up a mental picture of John Thaw and Kevin Whately, even if the Chief Inspector is driving a Lancia.

Like Morse, Colin Dexter’s writing style is complex and his plotlines intelligent and sophisticated. A former graduate of Cambridge, it is curious that the author should choose to set his series of novels in Oxford. Yet, the backdrop of dreaming spires and college cloisters surrenders a potential wealth of articulate, affluent characters linked to this seat of learning, alongside the harsher reality of city life in the Thames valley. Following the well-trodden footsteps of Sherlock Holmes, in Morse we are enthralled by the detective’s superior intellect, in spite of the character’s equally obvious flaws. And in DS Lewis, Morse has the perfect foil, whereby blunt common sense and diligent police work enables the more florid, ale-fuelled genius to flourish.

In a sense, the emotional vulnerability displayed by Morse in his pursuit of a ‘love’ interest is surprising, but his ineptitude in the relationship department is nonetheless endearing. In this opening story, Morse and Lewis are beginning to find the measure of each other and formulating a working relationship, which meshes their respective strengths, but the sparks between them also also keeps this partnership interesting, with more to come.

As well as the crime (in this instance murder), the key to the crime novel is often how the ‘solution’ is unpacked and here Dexter has Morse subtly explain his ‘working out’ to Lewis. The conclusion is slightly melodramatic for my taste, but a giant among literary detectives began his rise to popularity with this book.

Twelve books to go. How exciting! And what an exceptional body of work!

Rating: 4 out of 5.